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The building’s design takes inspiration from the King Boat, translating its form and maritime symbolism into architecture. Massing responds to the surrounding park and greenbelt with setbacks that shape a welcoming pedestrian plaza. The folded glass base reduces visual weight and evokes ocean waves, while the lifted form defines the entrance, linking town and cultural space. Circular openings on the façade reference the “dragon eyes” of the King Boat and splashing sea foam, reinforcing the festival imagery. An observation deck on the eastern rooftop deepens the connection to the sea, offering an immersive cultural experience. The façade is clad in textured HPC (High Performance Concrete), a sustainable material chosen for its resistance to salt, moisture, and coastal conditions. Its surface catches sunlight, creating dynamic light and shadow throughout the day

In terms of spatial planning, the design closely integrates local history and the Wangye belief system (such as the cultural center and Eslite bookstore), local cuisine (featured restaurants and pubs), with architectural expression. The first floor is designed as an open commercial space, attracting local specialty vendors to enhance regional revitalization. The rooftop features a landscape-themed pub with an independent circulation route to facilitate user flow, offering visitors a comprehensive cultural and leisure experience, thereby improving the building’s overall functionality and tourism appeal. Upon entry, visitors transition from the bustling secular world into a space imbued with the spirituality of folk religion. The tall architectural volume combined with the atrium design creates a sacred spatial scale. The atrium area is enveloped in a translucent expanded metal mesh, whose perforations provide visual permeability, breaking the limitations of traditional black-box exhibition spaces and evoking imagery of ocean ripples. The aluminum mesh also serves to absorb sound and reduce noise, making the entrance atrium a serene and sacred space that guides visitors into a contemplative and reflective state. From the start, this project integrated local participation and community resources to promote cultural revival. Many local groups took part in research, including archival collection, oral history interviews, and volunteer guide training, showing strong community support for the King Welcoming faith and cultural heritage. The cultural center has five floors, four for permanent and special exhibits. Five themed areas follow the King Welcoming Festival’s ceremony: "Marine Beliefs," "Thousand-Year Patrol," "Pingtung Deputized Patrol," "Crafting the Divine Boat," and "Donggang King Welcoming." The exhibits link faith origins, history, crafts, and local culture to create an educational and immersive experience. On the third floor, a master shipbuilder created a full-scale festival King’s Boat inside the center. The boat’s prow extends into an open space, lit by the skylight above, symbolizing the connection between humans and the divine.